Xenia Mura Fink
Drawing is the basis of my practice, manifesting in works on paper, installations, and animation. I quote from our visual culture and gestures as clues to depict that which develops beyond the format. Since 2019, I have been researching feminisms and figuration, being passionate about both topics, even if they may seem difficult to bridge.
I studied visual arts in Berlin and illustration in Hamburg and Halle, where I have been teaching.
Year of birth: 1979
Country of residence: Germany
TEMA asks
What time is it?
2 p.m.What’s your favourite Emoji?
I am not big on emojis… 💁 but can I choose two? ✨ and ➰.Standing at the train station today with a free ticket, where would you go?
I would finally go visit my friends at the other end of the country who I haven’t seen for over two years.The best thing about the country you live in:
Brezel, Sauerkraut.More of this in Europe, please:
An openness towards change and tolerance for things we don’t comprehend.Europe can do without:
Reactionary politics.What do you deeply care about?
Feminism, clean paper, chocolate.Last book / movie that moved you:
Amia Srinivasan’s “The Right to Sex”.What song fills you instantly with joy?
A tie between The Source ft. Candi Staton - You've Got the Love and Sébastien Telier - La RitournelleWhat’s the worst question someone could ask you?
One whose answer I won’t like because it would unsettle me. On second thought, that might be a really good question.
Author of:
Historically normal (TEMA#6 – Normality)
Self-images of aging: presence and desire in the work of women artists (TEMA#2 – Age)